【專訪】台灣藝術家林家同Lin, Jia-Ton (Morris Lin)勇奪2026 Fiesta Art 銅牌
「東方藏易」躍動國際．「波頻藝術」經典傳世
【記者 吳慧蓮 印度報導】2026/01/04
【Feature Interview】
Taiwanese Artist Lin, Jia-Ton (Morris Lin) Wins Bronze Award at “2026 Fiesta Art Competition”
“Oriental YI-TA” Resonates Globally · “Wave Frequency Art” as a Timeless Aesthetic Paradigm
By Wu, Hui-Lien (Anasha), reporting from India | January 4, 2026
台灣「東方藏易Oriental YI-TA」在國際藝壇大放異彩，再傳捷報！憑藉深厚的文化底蘊與獨創「波頻藝術Wave Frequency Art」與「東方藏易」藝術哲學理念，傑出藝術家林家同(Morris Lin)博士，憑藉其深厚的東方哲思與獨創的能量藝術語彙，在這場匯聚世界多國頂尖藝術家、評選標準涵蓋創作理念與文化深度的國際盛事中脫穎而出，展現鮮明辨識度，讓世界再次看見台灣當代藝術的高度。2026 印度國際慶典藝術大賽暨線上展覽(International Fiesta Art Competition & Online Exhibition, India)中，以水墨作品《無限謙宏Infinite Modesty and Magnitude》(130×70公分, 2025)榮獲銅牌獎(Bronze Award)，作品以五行哲學與《易經》思維為根基，其畫名「謙宏」取自易經中的謙卦，謙受益、宏則大，這種「滿招損、謙受益」的東方智慧，透過筆墨間的留白與噴薄而出的氣勢，融合半抽象水墨語彙與當代構成精神，象徵無限能量中的謙德、宏觀視野與財富流動，傳達出一種包容萬物的慈悲與莊嚴，展示宇宙觀與人類靈性的覺醒，使藝術作為文化對話的深層力量，深深打動了不同文化背景的評審。
另一幅入選展覽油畫作品《無限富奔、深藏不露Infinite Power, Hidden Fortune》(130×80公分, 2025) 則以厚重色彩與層次結構，展現隱而不露的力量與深藏的智慧。標題「深藏不露」正是東方藏易的精神精髓。林家同強調，真正的力量與財富應是如大地般厚實、如深海般沉靜，而非浮誇的張揚。兩件作品共同體現了林博士的創作深度與哲學思辨，並且展示了藝術家在不同媒材間游刃有餘的掌控力，筆法奔放而沉靜，抽象與精神交融，構築出東方玄學與現代藝術之間的視覺對話。作品蘊含太極之流、儒學深度與能量運行的普世共鳴。這不僅是林家同個人藝術生涯的又一里程碑，更是一次成功的文化外交。
在全球藝術語彙日益趨向跨界融合的今日，一場來自印度的國際藝術盛事再次將台灣的藝術軟實力推向世界巔峰。“Fiesta Art” 賽事，由國際知名策展團隊印度「賓達斯藝術集團」(Bindaas Artist Group, BAG)創辦人拉克什・庫馬爾・喬杜里博士(Dr. Rakesh Kumar Chaudhary)發起主辦，吸引全球知名藝術家、學術界博士評審團及橫跨歐、美、亞洲的多個專業機構共同策劃參與，是年度重要的國際藝術盛會之一，極具公信力。台灣國際策展人吳慧蓮理事長及WCECA世界文創產學經貿協會是BAG全球重要合作夥伴及品牌推廣大使，長年積極推動台灣藝術家走向國際；在此競賽中推薦多位台灣優秀藝術家參與競賽，囊獲金、銀、銅牌等多項大獎，再度於國際舞台嶄露鋒芒。
在國際藝壇中，能將古老哲學與當代藝術無縫接軌的創作者寥寥可數。林家同的作品之所以能震驚國際評審，核心在於他成功地將看不見的「能量」轉化為看得見的「光影與線條」。兩件作品一靜一動、一內斂一外放，共同構成林家同藝術語彙中的「陰陽結構」，也是其獲獎的重要原因。以下針對兩幅參賽作品從藝術分析角度進行深度析論：
奪得銅牌獎的《無限謙宏》以水墨筆韻演繹《易經》的火土相生，畫面中火紅與厚土交織，雲氣翻湧、山勢若隱若現的能量場，構築出如地脈湧動般的動勢，象徵內在力量的積累與釋放。此作在材質與色彩的運用上更具戲劇張力，林家同在此作中巧妙運用皴法並實踐了「留白不白、留白不空」的原則；評審團認為此作展現了「高度成熟且自信的藝術語言」，在抽象與意象間取得精妙平衡，成功地將東方山水哲學精神轉譯為近似當代半抽象的墨色，濃淡交錯，虛實相生，五行生剋與易經思維，在橫幅上鋪展出氣象萬千，氣韻磅礴流動感的視覺語言，展現東方哲學的「謙遜」與「宏大」，讓觀者在凝視中體會「厚德載物」的東方價值。
相對地，《無限富奔、深藏不露》則以西方媒材承載東方「藏」的哲思；以「金生水」的五行理則為骨幹，運用豐富色彩與抽象肌理，展現潛藏的宇宙生機。家同以油畫語彙與厚重筆觸表現能量爆發，畫面中白色象徵五行中的「金」，金生水，畫面中藍色水勢於虎邊匯流，最終凝聚於「光之核心」；畫中隱約的彩虹能量象徵「深藏不露」的智慧與無限力量；整體畫面呈現萬馬奔騰的氣韻，寓意五行臥藏的哲理，象徵力量與智慧的並存。
此次獲獎的關鍵，在於兩幅作品對「東方藏易」核心精神：能量、氣韻與哲思的極致演繹，作品兼具 藝術完成度、思想深度與文化表現力。兩作雖媒材不同，卻共同遵循能量運行的法則，不僅在形式上達到極高美學，更在內涵上呼應了當代藝術對於環境、人文與哲學對話的深刻探索。
藝術創作是人類追求審美價值情感活動所釋出的成果，東方藝術的主流爲水墨畫，其在創造上表現自然時，對於筆墨結構的探索和研究是創作水墨畫的重要探討。水墨山水之祖(北方畫派) 荊浩(唐五代後梁水墨畫家)在其著作《筆法記》中提出的“氣、韻、思、景、筆、墨”「六要」，使我們明確了筆墨的概念，“筆” (筆性)傳達出使用者的個性；“墨”在表現自然的同時，更是抒發情感、意念、精神爲象徽。品評繪畫作品，《筆法記》中提出神、妙、奇、巧的「四品」；並提出「四勢」的概念，運用筆法的理念，以筋、肉骨、氣的描述來研究用筆的方式。論林家同的筆法：「意在筆先，胸有成竹，而後下筆，則疾而有勢，增不得一筆，亦少不得一筆。」其藝術風格被譽為「東方藏易」與「波頻藝術」的開創者。藝術的品質在於繼承，沒有繼承便是無源之水；藝術的生命在於創新，沒有創新的等於死水一潭。前賢精華，皆為歷史之定格；後輩來者，理當推陳而出新。若將林家同參賽的兩幅作品與藝術界泰斗相比較，更能顯現其承先啟後的特殊地位。
一代宗師 張大千以「潑彩潑墨山水」的磅礴氣勢，奠基了宏觀的抽象水墨格局，開創了華人山水的新境界；藝術巨匠法籍華裔大師 趙無極則強調宇宙感與色域空間；藝術大師 朱德群，以光影能量的冥想與空間深度著稱；日本畫壇巨擘 橫山大觀作品展現「氣象萬千」。文學研究家作家 錢鐘書在《通感》一文中，說道：「顏色似乎有溫度，聲音似乎會有形象，冷暖似乎會有感覺，氣味似乎會有體質。」臺灣葛式水墨創意畫家林家同的水墨畫及油畫作品都繼承了大師們的構圖精髓、層次與通感作用，打破輪廓，跳脫工整、型態、寫實、過多皴法表現，不以實體臨摹為對象，空靈創作於方寸之間，筆墨勾勒出天地山河。他追求氣息流動的精神，綿延的氣脈與墨韻節奏，將氣勢結構化，為其注入精準的「波頻」邏輯、《易經》與陰陽五行等哲學，使畫面具備「氣場運行」的理論基礎，讓畫作成為動態的能量場域；描繪出「大自然的頻率」，其「生物共振」效果，讓畫面從視覺觀賞進化到能量互換的層次，將自然景象轉化為精神語言。藝術論述展現，已深具當代藝術作品的創新格局，是時代重要代表，並提升了當代藝術品的收藏價值。
藝術家 林家同Lin, Jia-Ton (Morris Lin) 簡歷：
職務與榮譽：
- 台灣首位受邀韓國美術館首爾亞細亞藝術展開幕式揮毫書法「無盡藏」
- 第六屆翰林書畫藝術全球傑出貢獻獎
- 「東方藏易」藝術體系創始人、專業藝術創作者。
- 財團法人台中市台灣家同文化藝術基金會 創辦人暨執行長
- 中華霧峰林家宮保第國藝術中心總會 創會總院長
- 璞雲創意水墨書畫院院長
- 台灣港澳台美術協會 顧問
- 中華民國第17屆工商建研會總會 文化藝術主委
- 第二屆翰林書畫藝術全球傑出貢獻獎
- 教育部合格大學講師(REG.NO:149179)
- 紐西蘭博士國際期刊EconLit级發表通過
- 日本北海道札棍-博士論文研討會發表通通
- 台灣逢甲大學D.博士學位畢業
- 國立台灣大學管理商學院EMBA硕士畢業(台旦一班)
- 上海復旦大學管理學院EMBA硕士畢業
- 北京清華大學高級管理研究(第一屆)結業
- 國立成功大學畢業
藝術經歷與展覽：
2026-04 國際藝術專業學術競賽，印度“Professor With Profession” International Art Competition
& Online Exhibition（「藝境．職心」2026印度國際藝術競賽暨線上展），
作品《雲脈》獲Raja Ravi Varma Awards金獎 (拉賈·拉維·瓦爾瑪獎)，
作品《天勢》獲選全球電子畫冊封面。
2026-01「無限寶樺」林家同新抽象藝術創作首展暨霧峰林家宮保第國藝術中心聯展
(台中市葫蘆墩文化中心)
2026-01印度“International Fiesta Art ” 「國際慶典藝術大賽」，作品《無限謙宏》獲銅牌獎。
2025 中國保利拍賣廈門保利藝術中心之拍賣前藝術博覽會展出《觀易臥藏》。
2025-02 韓國第47回文化藝術大展邀請展作品《觀易臥藏》榮獲韓國「水墨創意類」「金獎」殊榮。
2025 台中知名大道公廟-元保宫農曆春「天下第一財福」字的書寫人。
2021-08 發表水墨畫「瞬間創下永恆」重新定義似與不似之間於工商時報藝術新論研究與應用。
2021-07「章同迎三藝」聯展(台中港區藝術中心)發表水墨畫之「黑與白」「虚與實」篇重新定義
「似與不似之間」的意境於工商時報藝術新論。
2021-04 韓國第55回亞細亞國際大賽展以「心致青雲」創作獲得水墨國畫類組金獎。
2019-12「天暖」畫作被日本大和公司獲選為2020「天喜」世界50個國家的賀卡封面圖騰使用之
授權書作。
2019 台北封面人物2018全球出企業公益慈善活動藝術評審。
2019-09 山東濟南台灣文化館書畫展出。
2019-08 第四屆 義大利「台灣文化藝術月大展」義大利波隆那市政廳展覽《天勢》畫作。
2019-06 日本東京都美術館國際展覽獲得「銀質獎」(多國藝術家聯展) 。
2018-12 受邀中國「四川美術學院」(中國第三大最知名美術學院)與六位水墨名教授「筆墨同源」
現場揮毫並題《月渝美景天下揚》全開畫作並為學院所收藏。
2018-12「華虹」畫作被日本大和公司獲選為2019年世界50個國家的賀卡封面圖騰使用之
授權畫作。
2018-07 台灣國際藝術協會第18屆金藝獎-水墨創作類畫作《月競龍騰》獲獎。
2018-07 台中港區藝術中心展區七-八月展出畫作《月兢龍騰》。
2018-03 陽明大學校友總會畫作《日觀乾坤》公開進行拍賣。
台灣「東方藏易」藝術家 林家同 Lin, Jia-Ton (Morris Lin)
【Feature Interview】
Taiwanese Artist Lin, Jia-Ton (Morris Lin) Wins Bronze Award at “2026 Fiesta Art Competition”
“Oriental YI-TA” Resonates Globally · “Wave Frequency Art” as a Timeless Aesthetic Paradigm
By Wu, Hui-Lien (Anasha), reporting from India | January 4, 2026
The Taiwanese artistic philosophy of “Oriental YI-TA” has once again captured international attention. Renowned contemporary artist Dr. Lin, Jia-Ton (Morris Lin) has achieved remarkable success at the 2026 International Fiesta Art Competition & Online Exhibition (India). Drawing upon profound cultural foundations and his original theoretical framework—“Wave Frequency Art”—Lin distinguished himself among leading global artists in a competition that rigorously evaluates conceptual depth, artistic innovation, and cultural significance. His ink painting “Infinite Modesty and Magnitude” (130 × 70 cm, 2025) was awarded the Bronze Award, reaffirming Taiwan’s prominent position in the global contemporary art landscape.
Rooted in the philosophy of the I Ching and the Five Elements, the title “Modesty and Magnitude” derives from the Hexagram Qian (Modesty), embodying the wisdom that “humility brings benefit, while excess invites loss.” Through the interplay of expressive brushwork, dynamic spatial composition, and intentional voids, the work integrates semi-abstract ink language with contemporary structural aesthetics. It symbolizes humility within boundless energy, expansive vision, and the circulation of prosperity. The composition conveys compassion, dignity, and an awakened cosmological awareness, deeply resonating with jurors across diverse cultural backgrounds and demonstrating art as a profound medium of intercultural dialogue.
Dr. Lin stands as a significant figure in contemporary Eastern art. His practice synthesizes calligraphic rhythm, the energetic force of ink painting, and philosophical inquiry into a distinctive system he terms “Oriental YI-TA Art.” His brushwork channels the vital flow of cosmic energy; lines move like drifting clouds, while tonal gradations of ink evoke the depth of a unified Tai Chi field. His aesthetic resides in the liminal space “between likeness and unlikeness,” achieving a refined balance between abstraction and representation. Rooted in traditional calligraphic discipline yet reinterpreted through modern abstraction, his works unify writing and painting, substance and void, creating a dynamic visual and spiritual continuum.
Another exhibited work, the oil painting “Infinite Power, Hidden Fortune” (130 × 80 cm, 2025), presents a contrasting yet complementary dimension. Through layered pigments and dense textural structures, Lin articulates concealed strength and latent wisdom. The notion of “hidden fortune” encapsulates the essence of Oriental YI-TA philosophy: true power and prosperity are not ostentatious, but grounded, enduring, and internally cultivated—like the earth’s depth or the stillness of the ocean. Together, these two works demonstrate Lin’s mastery across media and his ability to balance expressive dynamism with meditative restraint. The integration of abstraction and spirituality constructs a visual dialogue between Eastern metaphysics and contemporary art, embedding Taoist flow, Confucian depth, and universal energetic resonance. This achievement marks not only a milestone in Lin’s artistic career but also a successful act of cultural diplomacy.
In an era where global artistic languages increasingly converge across disciplines, the Fiesta Art Competition—initiated by Dr. Rakesh Kumar Chaudhary, founder of India’s Bindaas Artist Group (BAG)—stands as a highly credible international platform. The event gathers renowned artists, academic juries at the doctoral level, and institutions spanning Europe, the Americas, and Asia. Taiwanese curator Wu, Hui-Lien, Chairperson of the World Culture Exchange and Commerce Association (WCECA), has long played a crucial role in promoting Taiwanese artists globally. Through her efforts, numerous Taiwanese participants have achieved top honors in this competition, further elevating Taiwan’s artistic visibility on the international stage.
Few contemporary artists successfully bridge ancient philosophy with modern artistic language. Lin Jia-Ton’s distinction lies in his ability to transform the invisible—energy—into visible forms of light, color, and line. The two awarded works, one restrained and one dynamic, together form a yin–yang structural duality, a key factor behind his recognition.
“Infinite Modesty and Magnitude” interprets the generative interaction of Fire and Earth within the Five Elements, presenting a landscape of surging clouds and tectonic forces. Through masterful ink techniques and the principle of “non-empty emptiness,” Lin achieves a sophisticated balance between abstraction and imagery. The composition unfolds a grand visual field where tonal contrasts, spatial tension, and philosophical symbolism converge, embodying humility and vastness while inviting contemplation of the Eastern virtue of moral depth.
Conversely, “Infinite Power, Hidden Fortune” employs Western oil painting as a vehicle for Eastern metaphysical thought. Structured upon the elemental cycle of Metal generating Water, the work utilizes luminous whites and flowing blues to suggest converging energy currents, culminating in a radiant core of light. Subtle rainbow-like energy fields symbolize concealed wisdom and boundless potential. The composition evokes a sense of surging vitality—like galloping forces—while encoding the latent dynamics of the Five Elements, expressing the coexistence of power and restraint.
The success of these works lies in their profound articulation of the core principles of Oriental YI-TA—energy, resonance, and philosophical depth. Despite differing media, both adhere to the same energetic logic, achieving not only high aesthetic refinement but also engaging with contemporary concerns of environment, humanity, and metaphysical inquiry.
From a broader art-historical perspective, ink painting has long been central to Eastern artistic tradition. As articulated by Jing Hao in Bifa Ji (Notes on Brushwork), the six essentials—spirit, rhythm, thought, scenery, brush, and ink—define the foundation of painting. Lin’s brushwork embodies this lineage: “the idea precedes the brush,” resulting in strokes that are both precise and dynamic. His work has been widely recognized as pioneering the “Oriental YI-TA” system and “Wave Frequency Art.”
In dialogue with masters such as Zhang Daqian, who expanded the grandeur of splashed-ink landscapes; Zao Wou-Ki, who explored cosmic abstraction; Chu Teh-Chun, known for luminous spatial depth; and Yokoyama Taikan, celebrated for atmospheric monumentality—Lin inherits and transforms their legacies. As literary scholar Qian Zhongshu described in On Synesthesia, sensory experience transcends boundaries; Lin’s works similarly dissolve form, moving beyond realism into a realm of energetic perception.
By structuring “qi” (vital energy) into a coherent visual system and embedding it with the philosophical logic of the I Ching and Yin–Yang dynamics, Lin creates artworks as dynamic energetic fields rather than static images. His paintings articulate the “frequency of nature,” generating a form of bio-resonance that elevates visual appreciation into experiential interaction. This innovative paradigm not only positions him as a significant contemporary artist but also enhances the cultural and market value of his works within the global art ecosystem.
Artist Biography – Lin, Jia-Ton (Morris Lin)
Positions and Honors
- First Taiwanese artist invited to perform calligraphy “Wu Jin Zang” at the opening of the Seoul Asia Art Exhibition, Korea.
- Recipient of the 6th Hanlin Calligraphy & Painting Global Outstanding Contribution Award.
- Founder of the Oriental YI-TA artistic system and professional creator of “Wave Frequency Art.”
- Founder & Executive Director, Taiwan Jia-Ton Cultural & Arts Foundation, Taichung.
- Founding President, National Art Center of Lin Family Gongbao Di, Wufeng.
- Director, Puyun Creative Ink & Calligraphy Institute.
- Advisor, Taiwan Hong Kong-Macau-Taiwan Fine Arts Association.
- Chair of Culture & Arts, 17th National Federation of Industry & Commerce Research Association, ROC.
- Recipient of the 2nd Hanlin Calligraphy & Painting Global Outstanding Contribution Award.
- Certified University Lecturer, Ministry of Education (REG.NO:149179).
- Doctoral publication accepted in New Zealand’s EconLit-level international journal.
- Doctoral thesis presentation approved at Hokkaido, Sapporo, Japan.
- Ph.D. graduate, Feng Chia University, Taiwan.
- EMBA graduate, National Taiwan University College of Management (Tai-Dan Class 1).
- EMBA graduate, Fudan University School of Management, Shanghai.
- Graduate, Advanced Management Program (First Cohort), Tsinghua University, Beijing.
- Graduate, National Cheng Kung University, Taiwan.
Artistic Experience and Exhibitions
- 2026/04 – Professor With Profession International Art Competition & Online Exhibition, India.
- Celestial Vein (Ink, 125 × 60 cm) awarded the Raja Ravi Varma Gold Award.
- Celestial Momentum (Ink & Acrylic, 175 × 60 cm) selected as the official global digital catalogue cover.
- 2026/01 – Infinite Treasures solo exhibition of new abstract works, joint exhibition at Lin Family Gongbao Di National Art Center, Taichung Huludun Cultural Center.
- 2026/01 – International Fiesta Art Competition, India.
- Infinite Magnanimity awarded Bronze Prize.
- 2025 – Pre-auction art fair, Poly Auction Xiamen Art Center, China.
- Exhibited Observing the Hidden Vein.
- 2025/02 – 47th Korean Cultural & Art Grand Exhibition.
- Observing the Hidden Vein awarded Gold Prize in “Ink Creativity” category.
- 2025 – Commissioned calligrapher for “The World’s First Fortune” Spring Festival inscription, Yuanbao Temple, Taichung.
- 2021/08 – Published ink painting “Moment Creates Eternity” redefining “between likeness and unlikeness” in Commercial Times Art Theory & Application.
- 2021/07 – Three Arts Welcoming Zhang Tong joint exhibition, Taichung Harbor Art Center.
- Published ink works “Black and White” and “Void and Reality”, redefining the aesthetic of “between likeness and unlikeness.”
- 2021/04 – 55th Asia International Art Competition, Korea.
- Aspiring to the Clouds awarded Gold Prize in Ink Painting category.
- 2019/12 – Painting “Warm Sky” selected by Japan’s Yamato Company for use as cover art in 2020 “Heavenly Joy” greeting cards distributed in 50 countries.
- 2019 – Jury member, Global Outstanding Enterprise Philanthropy Art Event, Taipei.
- 2019/09 – Taiwan Cultural Center, Jinan, Shandong – Calligraphy & Painting Exhibition.
- 2019/08 – 4th Taiwan Cultural & Arts Month Grand Exhibition, Bologna City Hall, Italy.
- Exhibited Celestial Momentum.
- 2019/06 – Tokyo Metropolitan Art Museum International Exhibition, Japan.
- Awarded Silver Prize in multinational joint exhibition.
- 2018/12 – Invited by Sichuan Fine Arts Institute (China’s third most prestigious art academy).
- Collaborated with six renowned ink professors in “Shared Roots of Brush & Ink”, created “Moonlit Scenery Spreads Worldwide”, collected by the academy.
- 2018/12 – Painting “Radiant Rainbow” selected by Japan’s Yamato Company for 2019 greeting cards distributed in 50 countries.
- 2018/07 – Taiwan International Art Association, 18th Golden Art Award.
- Ink painting “Dragon Rising with the Moon” awarded.
- 2018/07 – Taichung Harbor Art Center, July–August exhibition.
- Displayed “Dragon Rising with the Moon.”
- 2018/03 – Alumni Association of National Yang-Ming University.
- Auctioned ink painting “Sun Observes Heaven and Earth.”
