【專訪】「東方藏易」藝術家 林家同 Lin, Jia-Ton (Morris) 獲國際博士金獎 “Professor With Profession”
印度藝術界最具權威指標性金牌獎 (Raja Ravi Varma Awards拉賈·拉維·瓦爾瑪獎)
【記者 吳慧蓮(Anasha) 印度報導】2026/04/06
[Feature Interview] “Oriental YI-TAI” Artist Lin, Jia-Ton (Morris) Honored with the “Professor With Profession” International Doctorate Gold Award
Recipient of India’s Most Authoritative and Prestigious Art Accolade: The Raja Ravi Varma Award
By Wu, Hui-Lien (Anasha) reporting from India | April 6, 2026
國際雙項榮耀加冕，台灣「東方藏易Oriental YI-TA」水墨藝術家林家同博士Dr. Lin, Jia-Ton (Morris) ，再度於國際舞台上綻放耀眼光芒。一場專為全球「學術界藝術家與教育工作者」打造的國際專屬盛事——“Professor With Profession” International Art Competition & Online Exhibition（「藝境．職心」2026印度國際藝術競賽暨線上展），林家同憑藉其深厚的東方哲學功底與創新的視覺語彙，水墨代表作《天勢》（Celestial Momentum，175 x 60 cm，水墨、壓克力）躍上全球國際網路電子畫冊封面，成為整體展覽視覺的核心焦點、《雲脈》（Celestial Vein，125 x 60 cm，水墨）奪最高指標國際性藝術榮譽博士金牌獎 Raja Ravi Varma Awards (拉賈·拉維·瓦爾瑪獎) ，在眾多國際競爭者中脫穎而出，再度讓國際看見台灣當代水墨的高度。評審團一致認為，林博士的作品成功將古老的《易經》智慧與現代能量科學對接，其展現的「東方藏易」體系與以「波頻藝術」之核心精神，不僅具備學術高度，更在視覺共振上達到了跨越國界的藝術巔峰。這兩項肯定並非單純來自媒材技巧的純熟，而是作品在文化詮釋、形式結構與當代語彙之間形成高度整合，既具東方精神，也具國際可讀性。
Lin, Jia-Ton（Morris Lin）_Celestial Momentum_Ink painting、Acrylic_175 cm X 60 cm_Taiwan
在國際藝術競賽中，畫冊封面作品通常被視為整場展覽的「藝術靈魂」與「品質標竿」，代表了專業學術界對該藝術家創作語彙的高度共識。獲選畫冊封面之作，《天勢》，以縱向天地之勢構圖，建立「天地軸線」，呈現的是另一種更高昂、也更具結構性的視覺語言。從上而下形成強烈的垂直壓力與上升動能，憑藉其由地表直衝雲際的磅礡氣勢，體現筆墨創新轉化與層次共振效應能場，將外在環境的變化與內在意志的堅定推至視覺高點，展現了「天行健」的雄渾力道。畫面中雲霧、山岩、瀑流與舟影構成一種天地相接的秩序，既象徵外部世界的變化，也回應內在心志的自持。水墨與壓克力顏料並置，讓傳統筆墨與當代媒材交疊出更明確的層次感，呈現出靜謐的深藍與深邃的翠綠。 它具有一眼可辨的視覺辨識度、清楚的主題強度，以及足以代表整體展覽精神的封面氣質。若與中國當代藝術大師趙無極對比，趙無極追求宇宙的混沌之美，而林家同則在混沌中清晰地描繪出「天勢」的運行軌跡。因此，《天勢》不只是構圖上的高度作品，更是將東方精神推上國際封面的完整示範，此為極高榮譽，不僅高度展現個人風格，更彰顯台灣藝術影響力，完美詮釋了本次競賽對於「專業」與「藝術性」結合的極致追求。
“Professor With Profession”博士金獎是以「印度現代藝術之父」Raja Ravi Varma (1848-1906) 命名。獎項強調延續大師融合傳統與現代的創新精神、讓藝術更親民且具文化影響力；象徵著「經典美學與傳統技法的最高傳承」，注重藝術技法的成熟度、敘事能力與文化再現價值；旨在表彰在繪畫領域有傑出貢獻、能體現文化深度與傳承且具備高度寫實或裝飾技巧的國際職人。大師對印度藝術發展史影響深遠，其作品至今仍是國家藝術珍寶。《雲脈》（Celestial Vein），以水墨橫式創作詮釋自然與宇宙間那種不可見卻感觸得到的「氣脈」流動。作品以東方古典哲學為核心，融合五行氣場、能量流動與當代水墨語彙並運用其獨創的「波頻藝術」概念，以細膩筆觸捕捉如潮汐般推拉的節奏感，這便是「易太樂章」中的律動，展現水墨氣韻雲霧流轉間的天地靈氣。評審團指出，該作品在墨色的虛實轉化中，精準捕捉了萬物相生、氣韻生動的瞬間。
林家同藝術創作的生命力源於其獨創的「東方藏易」（Oriental YI-TAI）體系與「波頻藝術」（Wave Frequency Art）作為方法論與美學語言的雙重基礎核心精神。他主張，藝術品非單純的物象描摹，不應只是靜止的圖像再現，而是一個動態能量場的生成與傳遞，能與觀者心靈產生共振。本質在於透過《易經》中「生生不息」與「天行健」的精神，象、數、理、氣的智慧，將陰陽消長、剛柔互濟、虛實相生，皆被編入畫面之節奏中；利用五行能量（木、火、土、金、水）相生剋原理，從抽象哲理進一步轉化為可感知的視覺秩序，成為畫面構成、筆墨快慢節奏、墨色濃淡疏密、留白不白的張力配置與能量分布的內在邏輯，形成可與觀者產生心理與感知共振的「波頻場域」。他提出「易太(藏易)樂章」（YI-TAI Symphony）的技法，以筆劃的斷、連，模擬陰陽爻的脈衝訊號，以墨色的濃、淡、乾、濕、焦對應五行的生剋循環，更強調畫面內部如同「宮」、「商」、「角」、「徵」、「羽」音律般的節奏運行，使作品成為一種具有調和效應的精神媒介，將宇宙運行中隱形的波頻「臥藏」於水墨與色彩之中。這種將古老易理轉化為「可量化的哲學視角」的創新，使作品成為聯結古老智慧與當代心靈的能量共振器，觀者在欣賞畫作時，不僅是視覺的感官享受，更是身體、心靈與畫作頻率的深度對話，透過畫面上流動的氣場，撫平觀者內心的焦慮，讓藝術成為一種平衡身心、鏈接天地的神祕導線。
深度解析林家同當代筆墨獲獎力作的藝術特質，與全球大師的跨時空對話：在《雲脈》中，其以極具張力的橫式構圖鋪陳出一種綿延不斷的氣流與雲勢。畫面中的雲，並非單純自然景觀的描寫，而是介於實與虛、濃與淡、聚與散之間的能量線條；墨色層層推進，形成如脈動般的視覺節奏，這使作品具備高度的靜觀性與深層張力。若與張大千（1899—1983年）的潑墨山水相較，張大千擅長以氣勢與山水格局，開創了宏觀的抽象氣勢，而林家同則將氣勢轉化為具結構性的「能量路徑」，在這種氣勢中注入了精準的「波頻」邏輯，強調留白的呼吸與雲脈的流向，使留白處更具動態脈衝，使山水不只成為景，而是成為能量場。若與日本「近現代繪畫之父」，被稱為「日本畫壇最高峰」的橫山大觀（1868—1958年）相比，大觀的作品展現「氣勢磅礴、氣象萬千」，家同則更注重哲學層面的能量共振，將自然景象轉化為精神語言，既可遠觀其勢，也可近讀其氣。這種結合東方理性結構與西方色彩張力的技法，正是他能征服國際評審的關鍵。
Lin, Jia-Ton（Morris Lin）_Celestial Vein _Ink painting _125 cm X 60 cm_Taiwan
藝術家 林家同Lin, Jia-Ton (Morris Lin) 簡歷：
職務與榮譽：
- 台灣首位受邀韓國美術館首爾亞細亞藝術展開幕式揮毫書法「無盡藏」
- 第六屆翰林書畫藝術全球傑出貢獻獎
- 「東方藏易」藝術體系創始人、專業藝術創作者。
- 財團法人台中市台灣家同文化藝術基金會 創辦人暨執行長
- 中華霧峰林家宮保第國藝術中心總會 創會總院長
- 璞雲創意水墨書畫院院長
- 台灣港澳台美術協會 顧問
- 中華民國第17屆工商建研會總會 文化藝術主委
- 第二屆翰林書畫藝術全球傑出貢獻獎
- 教育部合格大學講師(REG.NO:149179)
- 紐西蘭博士國際期刊EconLit级發表通過
- 日本北海道札棍-博士論文研討會發表通通
- 台灣逢甲大學D.博士學位畢業
- 國立台灣大學管理商學院EMBA硕士畢業(台旦一班)
- 上海復旦大學管理學院EMBA硕士畢業
- 北京清華大學高級管理研究(第一屆)結業
- 國立成功大學畢業
藝術經歷與展覽：
2026-04 國際藝術專業學術競賽，印度“Professor With Profession” International Art Competition
& Online Exhibition（「藝境．職心」2026印度國際藝術競賽暨線上展），
作品《雲脈》獲Raja Ravi Varma Awards金獎 (拉賈·拉維·瓦爾瑪獎)，
作品《天勢》獲選全球電子畫冊封面。
2026-01「無限寶樺」林家同新抽象藝術創作首展暨霧峰林家宮保第國藝術中心聯展
(台中市葫蘆墩文化中心)
2026-01 印度“International Fiesta Art ” 「國際慶典藝術大賽」，作品《無限謙宏》獲銅牌獎。
2025 中國保利拍賣廈門保利藝術中心之拍賣前藝術博覽會展出《觀易臥藏》。
2025-02 韓國第47回文化藝術大展邀請展作品《觀易臥藏》榮獲韓國「水墨創意類」「金獎」殊榮。
2025 台中知名大道公廟-元保宫農曆春「天下第一財福」字的書寫人。
2021-08 發表水墨畫「瞬間創下永恆」重新定義似與不似之間於工商時報藝術新論研究與應用。
2021-07「章同迎三藝」聯展(台中港區藝術中心)發表水墨畫之「黑與白」「虚與實」篇重新定義
「似與不似之間」的意境於工商時報藝術新論。
2021-04 韓國第55回亞細亞國際大賽展以「心致青雲」創作獲得水墨國畫類組金獎。
2019-12「天暖」畫作被日本大和公司獲選為2020「天喜」世界50個國家的賀卡封面圖騰使用之
授權書作。
2019 台北封面人物2018全球出企業公益慈善活動藝術評審。
2019-09 山東濟南台灣文化館書畫展出。
2019-08 第四屆 義大利「台灣文化藝術月大展」義大利波隆那市政廳展覽《天勢》畫作。
2019-06 日本東京都美術館國際展覽獲得「銀質獎」(多國藝術家聯展) 。
2018-12 受邀中國「四川美術學院」(中國第三大最知名美術學院)與六位水墨名教授「筆墨同源」
現場揮毫並題《月渝美景天下揚》全開畫作並為學院所收藏。
2018-12「華虹」畫作被日本大和公司獲選為2019年世界50個國家的賀卡封面圖騰使用之
授權畫作。
2018-07 台灣國際藝術協會第18屆金藝獎-水墨創作類畫作《月競龍騰》獲獎。
2018-07 台中港區藝術中心展區七-八月展出畫作《月兢龍騰》。
2018-03 陽明大學校友總會畫作《日觀乾坤》公開進行拍賣。
【專訪】「東方藏易」藝術家 林家同 Lin, Jia-Ton (Morris) 獲國際博士金獎 “Professor With Profession”
印度藝術界最具權威指標性金牌獎 (Raja Ravi Varma Awards拉賈·拉維·瓦爾瑪獎)
【記者 吳慧蓮(Anasha) 印度報導】2026/04/06
[Feature Interview] Oriental YI-TAI Artist Lin, Jia-Ton (Morris) Honored with the “Professor With Profession” International Doctorate Gold Award
Recipient of India’s Most Authoritative and Prestigious Art Accolade: The Raja Ravi Varma Award
By Wu, Hui-Lien (Anasha) reporting from India | April 6, 2026
Taiwanese ink artist Dr. Morris Lin (Lin, Jia-Ton), founder of the “Oriental YI-TAI” system, has once again shone on the international stage, receiving dual global honors. In the prestigious “Professor With Profession” 2026 International Art Competition & Online Exhibition—an event exclusively designed for global academic artists and educators—Dr. Lin’s profound foundation in Eastern philosophy and innovative visual language captivated the judges. His representative ink masterpiece, Celestial Momentum (175 x 60 cm, Ink and Acrylic), was selected as the cover art for the international digital exhibition catalogue, serving as the central visual focus of the entire event. Simultaneously, his work Celestial Vein (125 x 60 cm, Ink) won the highest honorary doctorate gold medal—the Raja Ravi Varma Award.
Standing out among numerous international competitors, Dr. Lin has once again elevated the global stature of Taiwan’s contemporary ink painting. The jury unanimously agreed that Dr. Lin’s work successfully bridges ancient I Ching wisdom with modern energy science. His “Oriental YI-TAI” system and core spirit of “Wave Frequency Art” not only possess academic depth but also reach an artistic peak of visual resonance that transcends national borders. These accolades are not merely a result of technical mastery but reflect a high-level integration of cultural interpretation, formal structure, and contemporary vocabulary, possessing both an Eastern spirit and international readability.
In international art competitions, the cover of the exhibition catalogue is regarded as the “Artistic Soul” and “Quality Benchmark” of the entire show, representing a high degree of consensus among academic professionals regarding the artist’s creative language. The cover piece, Celestial Momentum, utilizes a vertical “Heaven-Earth Axis” composition, establishing a majestic and structural visual language. The piece generates a strong vertical pressure and upward momentum, with a grand spirit that surges from the earth to the clouds. It embodies the innovative transformation of brush and ink through a “layer-resonance effect field,” pushing environmental changes and internal willpower to a visual climax, perfectly illustrating the vigorous power of “The movement of heaven is full of power” (Tian Xing Jian).
The composition of clouds, rocks, waterfalls, and boat shadows forms an order connecting heaven and earth, symbolizing the fluctuations of the external world while responding to the steadfastness of the inner mind. The juxtaposition of ink and acrylic allows traditional brushwork and contemporary media to overlap with clear layering, presenting tranquil deep blues and profound emerald greens. Compared with the contemporary master Zao Wou-Ki, who pursued the beauty of cosmic chaos, Morris Lin clearly delineates the trajectory of “Celestial Momentum” within that chaos. Therefore, Celestial Momentum is not just a high-level composition; it is a complete demonstration of pushing the Eastern spirit onto an international cover—a supreme honor that manifests personal style and Taiwan’s artistic influence.
The “Professor With Profession” Doctorate Gold Award is named after Raja Ravi Varma (1848–1906), the “Father of Modern Indian Art.” The award emphasizes the master’s innovative spirit of blending tradition with modernity, making art more accessible and culturally influential. It symbolizes the “highest inheritance of classic aesthetics and traditional techniques.” Dr. Lin’s award-winning work, Celestial Vein, interprets the invisible yet palpable flow of “Qi-veins” between nature and the universe through a horizontal ink composition. Using his original “Wave Frequency Art” concept, he captures a rhythmic sensation akin to the ebb and flow of tides—the rhythm of the “YI-TAI Symphony”—showcasing the spiritual aura of heaven and earth through the movement of ink and clouds. The jury noted that the work precisely captures the vivid “Qi-resonance” of all things through the transformation of void and solid in ink tones.
The vitality of Morris Lin’s art stems from his original “Oriental YI-TAI” system and “Wave Frequency Art” methodology. He advocates that an artwork is not a simple depiction of objects but the generation and transmission of a dynamic energy field that resonates with the viewer’s soul. By encoding the wisdom of I Ching—the interplay of Yin and Yang, strength and softness, void and solid—into the rhythm of the canvas, he transforms abstract philosophy into a perceptible visual order. He proposes the “YI-TAI Symphony” technique, where the breaks and continuations of brushstrokes simulate the pulse signals of the I Ching hexagrams, and the varying tones of ink correspond to the cycles of the Five Elements (Wood, Fire, Earth, Metal, Water). This creates a “Wave Frequency Field” that achieves psychological resonance with the viewer, smoothing away anxiety through a flowing aura and serving as a mysterious conduit that balances the body and mind while linking heaven and earth.
Deeply analyzing Dr. Lin’s work through a cross-temporal dialogue with global masters reveals unique traits: In Celestial Vein, the horizontal composition layouts a continuous flow of air and cloud energy. Compared to Zhang Daqian’s splashed-ink landscapes, while Zhang excelled in grand abstract momentum, Morris Lin transforms that momentum into structural “energy paths,” emphasizing the “breath” of the negative space. Compared to the “Peak of the Japanese Art World,” Yokoyama Taikan, whose works show “magnificent majesty,” Dr. Lin focuses more on the philosophical level of energy resonance, transforming natural scenes into spiritual language. This fusion of Eastern rational structure and Western color tension was key to conquering the international jury.
This globally watched academic event was initiated and hosted by Dr. Rakesh Chaudhary, founder of the Bindaas Artist Group (BAG) in India. The competition gathered academic artists and renowned mentors selected by professional institutions worldwide. Partner organizations spanned Europe, America, and Asia, including the World Culture Exchange and Commerce Association (WCECA) led by Chairperson Wu, Hui-Lien (Anasha), who provided vital support to the participating artists. The international jury pointed out that the overall standard of entries this year was exceptionally high. After multiple rounds of selection, only 18 artists worldwide were named in the official winners’ list. This honor not only highlights Dr. Lin’s personal achievement but also represents a significant milestone for contemporary ink art on the global stage.
Artist Biography – Lin, Jia-Ton (Morris Lin)
Positions and Honors
- First Taiwanese artist invited to perform calligraphy “Wu Jin Zang” at the opening of the Seoul Asia Art Exhibition, Korea.
- Recipient of the 6th Hanlin Calligraphy & Painting Global Outstanding Contribution Award.
- Founder of the Oriental YI-TA artistic system and professional creator of “Wave Frequency Art.”
- Founder & Executive Director, Taiwan Jia-Ton Cultural & Arts Foundation, Taichung.
- Founding President, National Art Center of Lin Family Gongbao Di, Wufeng.
- Director, Puyun Creative Ink & Calligraphy Institute.
- Advisor, Taiwan Hong Kong-Macau-Taiwan Fine Arts Association.
- Chair of Culture & Arts, 17th National Federation of Industry & Commerce Research Association, ROC.
- Recipient of the 2nd Hanlin Calligraphy & Painting Global Outstanding Contribution Award.
- Certified University Lecturer, Ministry of Education (REG.NO:149179).
- Doctoral publication accepted in New Zealand’s EconLit-level international journal.
- Doctoral thesis presentation approved at Hokkaido, Sapporo, Japan.
- Ph.D. graduate, Feng Chia University, Taiwan.
- EMBA graduate, National Taiwan University College of Management (Tai-Dan Class 1).
- EMBA graduate, Fudan University School of Management, Shanghai.
- Graduate, Advanced Management Program (First Cohort), Tsinghua University, Beijing.
- Graduate, National Cheng Kung University, Taiwan.
Artistic Experience and Exhibitions
- 2026/04 – Professor With Profession International Art Competition & Online Exhibition, India.
- Celestial Vein (Ink, 125 × 60 cm) awarded the Raja Ravi Varma Gold Award.
- Celestial Momentum (Ink & Acrylic, 175 × 60 cm) selected as the official global digital catalogue cover.
- 2026/01 – Infinite Treasures solo exhibition of new abstract works, joint exhibition at Lin Family Gongbao Di National Art Center, Taichung Huludun Cultural Center.
- 2026/01 – International Fiesta Art Competition, India.
- Infinite Magnanimity awarded Bronze Prize.
- 2025 – Pre-auction art fair, Poly Auction Xiamen Art Center, China.
- Exhibited Observing the Hidden Vein.
- 2025/02 – 47th Korean Cultural & Art Grand Exhibition.
- Observing the Hidden Vein awarded Gold Prize in “Ink Creativity” category.
- 2025 – Commissioned calligrapher for “The World’s First Fortune” Spring Festival inscription, Yuanbao Temple, Taichung.
- 2021/08 – Published ink painting “Moment Creates Eternity” redefining “between likeness and unlikeness” in Commercial Times Art Theory & Application.
- 2021/07 – Three Arts Welcoming Zhang Tong joint exhibition, Taichung Harbor Art Center.
- Published ink works “Black and White” and “Void and Reality”, redefining the aesthetic of “between likeness and unlikeness.”
- 2021/04 – 55th Asia International Art Competition, Korea.
- Aspiring to the Clouds awarded Gold Prize in Ink Painting category.
- 2019/12 – Painting “Warm Sky” selected by Japan’s Yamato Company for use as cover art in 2020 “Heavenly Joy” greeting cards distributed in 50 countries.
- 2019 – Jury member, Global Outstanding Enterprise Philanthropy Art Event, Taipei.
- 2019/09 – Taiwan Cultural Center, Jinan, Shandong – Calligraphy & Painting Exhibition.
- 2019/08 – 4th Taiwan Cultural & Arts Month Grand Exhibition, Bologna City Hall, Italy.
- Exhibited Celestial Momentum.
- 2019/06 – Tokyo Metropolitan Art Museum International Exhibition, Japan.
- Awarded Silver Prize in multinational joint exhibition.
- 2018/12 – Invited by Sichuan Fine Arts Institute (China’s third most prestigious art academy).
- Collaborated with six renowned ink professors in “Shared Roots of Brush & Ink”, created “Moonlit Scenery Spreads Worldwide”, collected by the academy.
- 2018/12 – Painting “Radiant Rainbow” selected by Japan’s Yamato Company for 2019 greeting cards distributed in 50 countries.
- 2018/07 – Taiwan International Art Association, 18th Golden Art Award.
- Ink painting “Dragon Rising with the Moon” awarded.
- 2018/07 – Taichung Harbor Art Center, July–August exhibition.
- Displayed “Dragon Rising with the Moon.”
- 2018/03 – Alumni Association of National Yang-Ming University.
- Auctioned ink painting “Sun Observes Heaven and Earth.”
